Jazz Shows in Chicago

FITZGERALDS PRESENTS: THE CHICAGO SKYLINERS BIG BAND FREE SHOW! CLICK "Book Now" For Table Reservations FULL SERVICE DINING BY BABYGOLD BARBECUE AVAILABLE IN THE CLUB The Chicago Skyliners Big Band was formed in 1988 for the sole purpose of prolonging the musical memory of the Big Band Era. Members of the band in the early days were informed that this was not a major money making proposition, only a mission to keep Big Bands alive. A house band at FitzGeralds Night Club in Berwyn since 1991, The Chicago Skyliners Big Band following has grown to become one of the top Big Bands in Chicagoland. Blue Birdland Jazz recording artists, besides original material, the Band features the music of Count Basie, Buddy Rich, Sammy Nestico, Stan Kenton, and Maynard Ferguson to name a few. Not your father's big band music, the Chicago Skyliners feature contemporary arrangements of traditional big band hits. The Chicago Tribune stated, , "rdquo" -> This group consistently found the ideal tempo, style and phrasing for the scores they played." Jazziz Magazine said, , "rdquo" -> The band has a surplus of exceptional soloists coupled with high powered ensemble playing." Enjoy the big band swing sounds, America's greatest contribution to world music history.

Through his 54-year career, 3-time Grammy Award winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz, exploring a blend of funk and jazz that has led to some of his most popular projects. In late autumn of 2026, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites, he plans instead to revisit them with the seasoned perspective of several decades; culling tunes from his Blue Matter, Uberjam, and AGoGo bands each responsible for a few recordings as well as new material in the same vein. Scofield looks forward to teaming up with a stellar band of colleagues, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce), multidimensional Larry Goldings (Scary Goldings, James Taylor) on keyboards, and legendary bassist Oteil Burbridge (Dead & CO., Tedeschi Trucks, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members, Scofield is glad to have a band that will truly do the music justice.

Albert Cummings is an American blues guitarist, singer, and songwriter from Massachusetts whose fiery guitar work and soulful voice have made him a standout in modern blues-rock. With albums on Blind Pig and Provogue Records, a touring career alongside legends like B.B. King and Johnny Winter, and a string of critically acclaimed releases, Cummings bridges the raw energy of classic blues with a contemporary edge. His album, Strong (2024), debuted at #1 on the Billboard Blues Chart, affirming his place among the genres most respected and enduring artists.

Originally a raw, visceral blues-rock outfit inspired by the likes of such juke joint rockers as , the Black Keys have expanded their purview after mastering their garagey roar with Rubber Factory in 2004. Making the leap to the major-label , the duo of guitarist/vocalist and drummer Patrick Carney dove into heady psychedelic territory, sometimes assisted by producer . The band's collaborations with the adventurous hip-hop producer opened the doors to a variety of sounds, colors, and textures, a broadened palette they'd channel onto sharp songs on their platinum-selling albums Brothers and El Camino, both arriving in the early years of the 2000s. After the trippy 2014 album Turn Blue, the Black Keys took an extended hiatus through the back half of the 2010s, during which time set up his Easy Eye Sound studio and label.

Petra's Recession Seven: Petra van Nuis - vocals Art Davis - trumpet Eric Schneider - reeds Russ Phillips - trombone Andy Brown - guitar Dan DeLorenzo - bass Bob Rummage - drums At the start of the Great Recession in September 2008, Petra's Recession Seven, an authentic Chicago-style jazz band was born at Chicago's legendary Green Mill. The seven piece ensemble is led by Petra van Nuis, a vocalist praised by the Chicago Tribune for her "interpretive savvy...light-and-silvery vocals and, better still, saucy manner of delivery that emphasizes the art of the double entendre." Petra's Recession Seven features a front line of all-star internationally known Chicago veteran horn players. Trombonist Russ Phillips grew up "in the wings" listening to his dad, Russ Phillips Sr. play trombone in Louis Armstrong's All-Stars. Russ Jr. decided to follow in his dad's footsteps, and in addition to Chicago performances is a popular fixture on mainstream jazz festivals and cruises. Reedist Eric Schneider began his early career as a member of the bands of Count Basie and Earl Fatha Hines. Since then, Eric has played with many legends including Benny Goodman, Tony Bennett, Dizzy Gillespie and Ella Fitzgerald and continues to be one of the busiest working musicians in Chicago. Trumpeter Art Davis is charter member of the Chicago Jazz Orchestra and a highly respected jazz educator. Early in his career, Art toured with Ray Charles, Frank Sinatra and Rosemary Clooney and continues to be the top call trumpeter for musicians touring through Chicago. The swinging rhythm section of bassist Dan Delorenzo and drummer Bob Rummage is led by guitarist Andy Brown, recognized in Downbeat Magazine's annual critics poll as a "rising star." In their hometown of Chicago, Petra's Recession Seven is a big hit at the Jazz Showcase, the Green Mill, Andy's Jazz Club, Winter's Jazz Club and Fitzgerald's. Festival performances include the Chicago Jazz Festival, the Cedar Basin Jazz Festival, the Juvae Jazz Festival and the American Music Festival. Regionally, the Recession Seven has played jazz societies including the Madison Jazz Society, the Starr-Gennett Foundation, the Illiana Jazz Club, the "Masters of Swing" series at Cincinnati's Xavier University, the Lafayette Jazz Club and the Indianapolis Jazz Club. The American Rag, in a review of the band's 2011 on location recording "Live In Chicago" praises "a killer of a band that grabs your attention and doesn't give it back until they are finished playing." www.petrasings.com

Originally a raw, visceral blues-rock outfit inspired by the likes of such juke joint rockers as , the Black Keys have expanded their purview after mastering their garagey roar with Rubber Factory in 2004. Making the leap to the major-label , the duo of guitarist/vocalist and drummer Patrick Carney dove into heady psychedelic territory, sometimes assisted by producer . The band's collaborations with the adventurous hip-hop producer opened the doors to a variety of sounds, colors, and textures, a broadened palette they'd channel onto sharp songs on their platinum-selling albums Brothers and El Camino, both arriving in the early years of the 2000s. After the trippy 2014 album Turn Blue, the Black Keys took an extended hiatus through the back half of the 2010s, during which time set up his Easy Eye Sound studio and label.

Fox and Bones The only thing better than dating someone in your band is dating no one in your band. At least it sure sounds that way according to the recent output from Portland based Post-Yacht Rock outfit Fox and Bones, whose best work is coming directly following their split as a romantic duo. Haley Johnsen Haley Johnsen, a musical maverick from Portland, Oregon, is a genre bending artist with a career path that is uniquely her own. Influenced by iconic voices like Brandi Carlile and Bonnie Raitt, Haley's vocals soar with soul in the worlds of Alt Pop and Americana.

Fulton Street Collective presents a performance Kate McGarry / Keith Ganz / Gary Versace Trio on Wednesday, October 21st at 7:30pm. The evening will feature live painting from visual artist TBA. The mercurial trio refers to the critically acclaimed, Grammy-nominated jazz group featuring vocalist Kate McGarry, guitarist Keith Ganz, and keyboardist/pianist Gary Versace.

Grammy Award-winning bassist Christian Dillingham is equally at home in two musical worlds. His parents spun jazz records around the house, while his mother was an avid pianist who loved to play Chopin and Debussy. These childhood experiences left a deep impression and ended up as the foundational philosophy of his career in music. Dillingham is that rare musician who excels in an orchestral setting, yet has an intuitive feel for nuance and the improvisational skills necessary to play jazz. A native of Brookfield, Ohio, Dillingham played in rock and jazz bands throughout high school. He became serious about music as a career while at Youngstown State University, studying under the instruction of Tony Leonardi and Micah Howard. After graduating with a Bachelor's of Music degree in Music Performance with an Emphasis on Jazz, Dillingham's education continued at Duquesne University in Pittsburgh, where he worked with Jeffrey Turner, principal bass of the Pittsburgh Symphony, and subsequently received a Master's of Music degree in Music Performance. He also attended the National Repertory Orchestra Festival in Breckenridge, Colorado and the School for Improvisational Music in New York. Upon graduation, Dillingham was invited to play in the Civic Orchestra of Chicago, and moved to the city to perform with them for the next two seasons. Since then, he has made frequent appearances in Chicago's vibrant classical scene, playing with the Lyric Opera, the Grant Park Symphony, and the Chicago Opera Theatre. Dillingham is also a member of the Chicago Sinfonietta, Fulcrum Point New Music Project, Matt Jones Orchestra, and the Chicago Philharmonic. He appears on albums by the Chicago Sinfonietta and Camerata Chicago. At the same time, he became a regular presence in Chicago's rich jazz community, performing at Fred Anderson's iconic Velvet Lounge, the Green Mill, the Jazz Showcase, Constellation Chicago, Hungry Brain, Andy's Jazz Club, Elastic Arts and other Chicago venues as well as at the Chicago Jazz Festival. Dillingham has played and recorded with dozens of musicians, including John Legend, Kirk Franklin, Herlin Riley, Peter Bernstein, Kevin Mahogany, Willie Pickens, Dee Alexander, Victor Goines, Bobby Broom, Sean Jones, Greg Ward and Mike Reed. He currently performs with a number of diverse projects crossing genres from jazz, classical and roots to the avant-garde and leads his own band, which features his original compositions. In fall of 2020 he joined the faculty at Indiana University teaching jazz bass.

GARM is an electric organ quartet led by drummer/organist Isaiah Keith with Rufus Parenti on saxophone, Ben MacDonald on guitar, and Andy Danstrom on drums.

Join us for just $20! Secure your spot in advance, or grab your ticket at the door (if available; advance purchase highly recommended) Night Owls Welcome! Join the fun for only $10! In advance or at the door (if available). Note: General admission tickets for the 11 PM show do not guarantee entry to the 9:30 PM show and, if allowed, will be subject to a price difference. Doors open at 8 PM: To secure guaranteed seating, guests should arrive between 8 PM and 9 PM. Guests arriving after 9 PM will be guaranteed entry, but seating will be based on availability. Seating: Available on a first-come, first-served basis at tables and the bar. Please note that tables are shared. Rosa's Lounge ensures that you and your friends are seated together if you purchase tickets under the same name. If people of your group are purchasing tickets separately, please include the group name in the Customer Notes section in the Order Summary form. Late Arrivals: Please note that we cannot hold seats for late arrivals or no-shows. After 9 PM, Rosa's Lounge may seat other guests in any available seats. We are 21 & over: For those parents who wish to bring their own under 21 years of age: Must be contacted by a parent for pre-authorization and other instructions before you purchase tickets. Please call 773-342-0452. Must be accompanied by a parent or legal guardian to enter. Illinois law prohibits anyone under 21 from consuming alcohol, even when accompanied by a parent.

World famous Kingston Mines features the best Blues music from 2 bands on 2 stages. Docs Kitchen offers great Catfish, Wings, Burgers, Beignets, and more! Kingston Mines has returned to general seating - no reservations.The doors & kitchen open at 6:00pm on Thursday. Tickets can be purchased at the club after 6:00 PM, if not purchased online. Must be 21 to enter. Thursday: 6pm 2amAcoustic Set: 6pm to 7:30pmNorth Stage Sets: 7:30pm, 9:30pm, 11:30pmMain Stage Sets: 8:30pm, 10:30pm, 12:30am Hear Blues, Drink Booze, Talk Loud, Youre Among Friends ...Doc

Fulton Street Collective presents an album release performance with CHRISTOPHER LUCAS WILSON TRIO on Thursday, October 22nd at 7:30pm. The evening will feature live painting from visual artist Kimmy Noonan. Christopher Lucas Wilson is a Chicago-based, hard-swinging jazz pianist who leads the Christopher Lucas Wilson Trio (CLW Trio). Deeply rooted in the traditions of bebop, classic blues, and the rich history of jazz piano trios, his music focuses on the uplifting, energetic nature of hard swing…Originally from metropolitan Detroit, Wilson studied under legendary figures like Marcus Belgrave and Bess Bonnier. He came up through the Detroit Symphony Orchestra's Civic Jazz Program and Michigan State University's jazz program….Critics often note his lyrical touch, thoughtful arrangements, and dynamic ensemble interplay, drawing stylistic comparisons to masters like Hank Jones and Tommy Flanagan.

Originally hailing from Milwaukee, Wisconsin, Lenard Simpson's well-earned reputation as "quickly becoming one of the most important saxophonists of this generation" (Kiefer) has secured him a spot as a rising star among his contemporaries. From his early days in Milwaukee as a self-taught beginner, to formal studies at Northern Illinois University (B.M., jazz performance) and UCLA's Herbie Hancock Institute (M.M., music performance jazz), Simpson's natural ability and outstanding musicianship have been recognized by some of the most celebrated jazz musicians and pedagogues across the world, including Herbie Handcock, Christian McBride, Wayne Shorter, and many more. An active, in-demand performer, composer, arranger, and educator, Simpson "is trusted and called upon by some of the highest-level musicians anywhere" (Kendall Moore) due to his strong collaborative musicianship, unique sound marked by "profound soulfulness combined with a sparkling intelligence and curiosity" (Billy Childs), and compassionate and individualized approach to teaching. In addition to performances in the Chicago area as leader of his namesake trio/quartet, Simpson's work as an in-demand sideman has included performances both local and abroad with Billy Childs, Kurt Elling, Marquis Hill, Kiefer, Sara Gazarek, George Fludas, Clayton Cameron and Brian Lynch. As an Educator, Simpson teaches at the Milwaukee Institute of Jazz, he served as an adjunct saxophone professor at Northern Illinois University. and has taught masterclasses for international Jazz Day in Melbourne, Australia, at the Sitka Jazz Festival in Sitka, Alaska. Additionally, Simpson has taught at the Birch Creek Jazz camp, Northern Illinois Jazz camp, and the UCLA Global Jazz camp.

Please be aware of the following age-related restrictions for this event: 17+. ALL SALES FINAL. NO REFUNDS/EXCHANGES. COVID-19 WARNING: An inherent risk of exposure to COVID-19 exists in any place where people gather. COVID-19 is an extremely contagious disease that can lead to severe illness and death. You assume all risks, hazards, and dangers arising from or relating in any way to the risk of contracting a communicable disease or illness---including, without limitation, exposure to COVID-19 or any other bacteria, virus, or other pathogen capable of causing a communicable disease or illness, whether that exposure occurs before, during, or after the event, and regardless of how caused or contracted---and you hereby waive any and all claims and potential claims against Sean Healy Presents, Ticketweb, The Concert Venue, and any additional Event Organizer(s) ---and against any companies affiliated with Sean Healy Presents, Ticketweb, The Concert Venue, and any additional Event Organizer(s) ---relating to such risks, hazards, and dangers.

World famous Kingston Mines features the best Blues music from 2 bands on 2 stages. Docs Kitchen offers great Catfish, Wings, Burgers, Beignets, and more! Kingston Mines has returned to general seating - no reservations. The doors & kitchen open at 7:00pm on Friday. Tickets can be purchased at the club after 7:00 PM, if not purchased online. Must be 21 to enter. Friday: 7pm 4amAcoustic Set: 7:30pm to 9pmNorth Stage Sets: 9:00pm, 11:30pm, 1:30amMain Stage Sets: 10:30pm, 12:30am, 2:30am Hear Blues, Drink Booze, Talk Loud, Youre Among Friends ...Doc

PLEASE NOTE: Pricing is all-in and includes fees (before taxes if applicable). By purchasing tickets to this event, you agree to abide by the health and safety measures in effect at the time of the event. Government mandates, venue protocols, and event requirements are subject to change. For more information, please search your event on www.chicagotheatre.com. This event may have immersive elements, which may include flashing or strobe lights, intense lighting, visual effects, loud noises, smoke and/or fog. Such elements may aggravate certain medical or physical conditions, and guests should take this into consideration if they have a history of discomfort or physical symptoms when experiencing these elements.

Bluegrass-sprinkled. Folk-simmered. Rockabilly-swirled. Country-zested. Blending a touch of magic and a dollop of mischief, this lively band of misfits dazzles with the spellbinding vocal artistry of Sweet Kay and the spirited string work of her merry band of hot n' humble pickers.

PLEASE NOTE: Pricing is all-in and includes fees (before taxes if applicable). By purchasing tickets to this event, you agree to abide by the health and safety measures in effect at the time of the event. Government mandates, venue protocols, and event requirements are subject to change. For more information, please search your event on www.chicagotheatre.com. This event may have immersive elements, which may include flashing or strobe lights, intense lighting, visual effects, loud noises, smoke and/or fog. Such elements may aggravate certain medical or physical conditions, and guests should take this into consideration if they have a history of discomfort or physical symptoms when experiencing these elements.

For Tank and the Bangas, music is a vessel for unbridled joy and transcendent connectionforces as integral to their essence as their wildly original sound. On their new album The Last Balloon, the New Orleans-bred outfit channel those impulses into something celebratory yet profoundly human, exploring themes of frustration, resilience, and self-realization with equal parts raw emotionality and playful exuberance. A shapeshifting collective helmed by lead singer Tarriona Tank Ball and multi-instrumentalist Norman Spence II, the globally beloved group completed the LP after winning a GRAMMY for 2024s spoken-word powerhouse The Heart, The Mind, The Soul, moving from incendiary poetry to a euphoric collision of soul and hip-hop and forward-thinking Rs Green Balloon (a critical triumph that earned them a GRAMMY nomination for Best New Artist), The Last Balloon ultimately solidifies Tank and the Bangas legacy as one of modern musics most steadfast voices of sublime exhilaration.Executive-produced by their frequent collaborator Austin Brown (Jamila Woods, Masego), The Last Balloon offers up a suite of songs designed to thrive in Tank and the Bangas rapturous live set, where unified movement becomes crucial to the show itself. Were known for a very interactive experience, so I wanted to get the fans more involved and have even more fun with the crowd, says Ball. Theres lots of gang vocals, handclaps, all these intentional moments to let everyone know, This is my part, but your parts coming up nextso get ready. A highly collaborative band whose past work has featured luminaries like Big Freedia, Questlove, and Jill Scott, Tank and the Bangas created The Last Balloon with the help of Iman Omari (a multifaceted musician whos worked with Kendrick Lamar and Mac Miller), pianist/producer Tane Runo (Brittany Howard, JID), esteemed soul singers Ledisi and Jelly Joseph, and many more. The result: a party-ready extravaganza that provides both ecstatic catharsis and communal elevation. Mainly recorded at The Complex Studios (an iconic L.A. spot once home to Earth, Wind & Fire), The Last Balloon unfolds in a loosely woven storyline charting a journey from self-doubt and erasure to empowered self-reclamation.

Artist GA Presale: Wednesday, June 24 at 10AM - Friday, June 26 at 9AM On Sale: Friday, June 26 at 10AM In an effort to mitigate scalping, Bottom Lounge does not certify any secondary ticket sales via third parties and is not responsible for fraudulent ticket sales on third party websites. Please be mindful of scammers. Tickets for this event will be sent on a delay (extra time is required to process and confirm all orders), but you'll always receive your tickets in time for your event. If you have not received your tickets one day before your event, be sure to let TicketWeb know. VIP Package Includes: One (1) GA Ticket One (1) Exclusive Lanyard One (1) Exclusive Merch Item One (1) Photo with Shawn One (1) Signed Poster -Exclusive Meet & Greet with SHAWN JAMES -Exclusive unplugged Acoustic Performance -Early Access and 15% off all Tour Merchandise (make sure to present your lanyard to our merch seller to receive your discount) -Early Access to Venue

Join us for just $25! Secure your seat in advance, or grab your ticket at the door for $30 (if available; advance purchase highly recommended). $20 General Admission is a relaxed, free-flowing late-night blues set where artists stretch out, special guests musicians often sit in. Entry begins at 10:30-11 PM. Shared-table and bar seating are available as space permits. Important Details: Doors open at 8 PM: To secure guaranteed seating, guests should arrive between 8 PM and 9 PM. Guests arriving after 9 PM will be guaranteed entry, but seating will be based on availability. Seating locations are determined based on special needs, party size, specific requests, and are subject to Rosa's Lounge's discretion and availability. Group Ticket Purchases: Rosa's Lounge ensures that you and your friends are seated together if you purchase tickets under the same name. If people of your group are purchasing tickets separately, please include the group name in the Customer Notes section in the Order Summary form. Late Arrivals: Please note that we cannot hold seats for late arrivals or no-shows. After 9 PM, Rosa's Lounge may seat other guests in any available seats. We are 21 & over: For those parents who wish to bring their own under 21 years of age: Must be contacted by a parent for pre-authorization and other instructions before you purchase tickets. Please call 773-342-0452. Must be accompanied by a parent or legal guardian to enter. Illinois law prohibits anyone under 21 from consuming alcohol, even when accompanied by a parent. - All sales are final. No refunds.

World famous Kingston Mines features the best Blues music from 2 bands on 2 stages. Docs Kitchen offers great Catfish, Wings, Burgers, Beignets, and more! Kingston Mines has returned to general seating - no reservations. The doors & kitchen open at 7:00pm on Friday. Tickets can be purchased at the club after 7:00 PM, if not purchased online. Must be 21 to enter. Saturday: 7pm 4amAcoustic Set: 7:30pm to 9pmNorth Stage Sets: 9:00pm, 11:30pm, 1:30amMain Stage Sets: 10:30pm, 12:30am, 2:30am Hear Blues, Drink Booze, Talk Loud, Youre Among Friends ...Doc

Event features a General Admission Dance Pit in front of the stage! All sales are final, no refunds/exchanges permitted, but tickets may be transferred through your TM Account. Garcia's is fully ADA compliant featuring wheelchair lifts and ramps between the various levels of the venue, assisted listening devices upon request, and allows official service animals. Premium Table seating is located closest to the stage offering the most intimate music experience for guests and includes table service. Reserved Table seating is located on our main floor, behind the Premium section, and also includes table service. Both Premium and Reserved table seating is cabaret style which means you may be sitting with other fans. Private Booths are available and depending on the booth seats 1 to 4, 5, or 6 guests. General Admission/Standing Room is located around the sides of the room on an elevated level for quality viewing and easy bar access.