Rock Shows in Chicago

Doors: 8PM / Show: 9PM / 21+ Anna von Hausswolff is a Swedish musician and composer whose work carves out space for the celestialand the transcendent to enter into the modern world. Following her breakthrough album,Ceremony(2012), von Hausswolffs subsequent releases quickly cemented her as an artist of unpredictable and vastcreativity, always moving forward, always melding tradition with experimentation in unimaginable ways.Taking the pipe organ, with its ancient whirringcharacter, as her instrument of choice, von Hausswolfssound has long played with the ethereal qualities of breath: of taking in, holding, and releasing it. Thissometimes takes the form of colossal, doom-laden rock songs, and at other times, as intimate organpieces. OnICONOCLASTS, her sound evolves again, bringing a poppier and more vibrant element to hermoving songs.ICONOCLASTSis von Hausswolfs sixth LP, and her debut release on Swedish recordlabel YEAR0001. Produced by von Hausswolf and longtime collaborator Filip Leyman, it is an opus ofstirring movement, anthemic ritualism, and maximalist composition, marking a new chapterin vonHausswolffs music and featuring appearances from Ethel Cain, Abul Mogard, Iggy Pop and Maria vonHausswolf.

In an effort to mitigate scalping, Bottom Lounge does not certify any secondary ticket sales via third parties and is not responsible for fraudulent ticket sales on third party websites. Please be mindful of scammers. Tickets for this event will be sent on a delay (extra time is required to process and confirm all orders), but you'll always receive your tickets in time for your event. If you have not received your tickets one day before your event, be sure to let TicketWeb know.

There is a delivery delay on all orders until approximately one week prior to the show. This show will be taking place inside the Shed.

I dont make spells anymore; now I make offerings.What does it mean to let go and return to yourself? This is what Offering asks, the latest album from Ibeyi. Coming four years after their third album, Spell31, the French-Cuban twins bring you on a journey of rediscovery, an evolution of sound and self. Offering is an invitation to release.Now, 12 years after their breakthrough EP Oya, Ibeyi are less interested in seeking validation; they are robust in their convictions and their art. Offering also marks Ibeyis first project since going independent, working with a number of new producers, with Naomi Diaz and Lisa-Kiand Diaz also handing over the reins of percussion and piano to a host of talented musicians.The Ibeyi stamp is still present, building on their previous EP and three albums that gained them global recognition, singing in English, French, Spanish and Yoruba alongside their enchanting vocals. And now, in Offering, we traverse through a kaleidoscope of thumping percussion and heavy bases, to subtle incantations and delicate harmonies.Through their visuals, Ibeyi invites audiences into a part of their world they have never shared before: Cuba. All shot on location in Havana, and working with local artists, musicians and their community, Offerings visuals are the manifestation of their homecoming.Grounded in the future, their latest project is a hopeful revolution of self, representing a vulnerability that can only come with growing older, accepting failure and passing through it.- Niellah Arboine

Doors open at 7PM. Performance begins at 8PM. This show is for AGES 17 AND OLDER. Valid Photo ID is required for age restricted shows. Forms of valid ID are current and non-expired Driver's License, State ID, or Passport. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

Rhiannon Giddens has made a singular, iconic career out of stretching her brand of folk music, with its miles-deep historical roots and contemporary sensibilities, into just about every field imaginable. A two-time GRAMMY Award-winning singer and multiinstrumentalist, MacArthur , "rdquo" -> Genius" grant recipient, Pulitzer Prize winner, and composer of opera, ballet, and film, Giddens has centered her work around the mission of lifting up people whose contributions to American musical history have previously been overlooked or erased, and advocating for a more accurate understanding of the country's musical origins through art. Giddens has released three albums under her own name and two in collaboration with Italian multi-instrumentalist Francesco Turrisi, all on Nonesuch Records. American Railroad, her first album in collaboration with the Silkroad Ensemble, was released in November 2024. A collaboration with Justin Robinson, What Did the Blackbird Say to the Crow, was released in April 2025. A founding member of the landmark Black string band Carolina Chocolate Drops, and the all-female banjo supergroup, Our Native Daughters, Giddens is as much a curator as a creator. She is the current Artistic Director of the Yo-Yo Ma-founded Silkroad Ensemble, hosts a TV show on PBS, My Music with Rhiannon Giddens, and has hosted two podcasts (Aria Code from New York City's NPR affiliate station WQXR, which ran for three seasons, and American Railroad from Silkroad). Giddens has published two children's books and written and performed music for the soundtrack of Red Dead Redemption II, one of the best-selling video games of all time. She was a music consultant for 2025's landmark film Sinners, and appeared as a recurring cast member on ABC's hit drama Nashville and as a music history expert on Ken Burns' Country Music series on PBS. In 2025, she launched her own music festival in Durham, NC called Biscuits & Banjos, to celebrate Black culture outside the mainstream, and in 2026 she turned that initiative into a Foundation to house her mission-based work, the Biscuits and Banjos Foundation. As Pitchfork once said, , "rdquo" -> few artists are so fearless and so ravenous in their exploration"---a journey that has led to NPR naming her one of its 25 Most Influential Women Musicians of the 21st Century and to American Songwriter calling her , "rdquo" -> one of the most important musical minds currently walking the planet.

Doors @ 7PM, Performance @ 8PM This is an ALL AGES event. Aragon Ballroom is a standing room only venue, all tickets are General Admission unless otherwise stated. There is NO re-entry. https://www.aragonballroomchicago.com/

Doors @ 5PM, Performance @ 6PM This is an ALL AGES event. Aragon Ballroom is a standing room only venue, all tickets are General Admission unless otherwise stated. There is NO re-entry. https://www.aragonballroomchicago.com/

Doors: 7:00PM | Show: 8:00PM | 17+

An American Singer-Songwriter signed to Capitol Records at age 25, Universal Records at 28, James has collaborated or toured with the likes of John Mayer, John Legend, Cat Stevens, Carly Simon, Keb Mo, and Andy Grammar, and his songs have been placed in over 15 major television shows and films worldwide. Writing songs on the topics of love, optimism, political enlightenment, simplifying, self-empowerment, wanderlust, and adventuring aimlessly through the natural world, James has left no stone unturned in his six studio albums to date. His performances are chock full of stories and fresh perspectives that seem to leave his crowds wanting more every time.

Independent local night out.

Independent local night out.

Doors: 8PM / Show: 9PM / 21+ JAKE XERXES FUSSELL Over six unique and very personal studio albums, Jake Xerxes Fussell has found his musicalfuture by reimagining, reorchestrating, and reunifying the past. By combining differenttraditional music sources in a completely original way, he routinely creates fresh works of artthat are at once rooted in tradition and ingeniously modern. Recorded in North Carolina,The Old Beloved Pathwas mixed by producer Ben Whiteley, amember of the band The Weather Station who has also played bass on tour with Fussell.Friends Dominic Billett, Isa Burke, Wayne Horvitz, and Ken Whiteley add their instrumentalvoices to Fussell's singular musical amalgams. As producer, Ben Whiteley fulfilled Fussell'sdesire to make an album that was more direct: a document of musicians playing live together ina room, dwelling less in atmospherics and musical elaboration. Working together, theyintentionally limited their palette - focusing less on all the things a song could be, and honing inon the essential. In the revelatory , "rdquo" -> Every Time I Go to Town," the sprightly spider rhythms of, "rdquo" -> Boney," a traditional tune rarely played let alone recorded, and his upbeat take on anothertraditional American classic, , "rdquo" -> Boll Weevil," the overall approach is airier, focusing on buildingtextures and staying focused and direct in the art that sustains him. The songs Fussell chose forThe Old Beloved Pathare songs he has heard for years, but many ofthem felt newly illuminated - hitting different., "rdquo" -> Traditional music gets more intense the older I get. The way that I see the world is throughthese songs. The world of traditional music has been such a gift to me. If nothing else, a lifelongcompanion. "The Old Beloved Pathis in stores September 18th via Fat Possum Records

This event was rescheduled from Thursday, August 27, to Thursday, March 18, 2027. Original tickets will be honored on the new date or refunds are available from point of purchase before the show passes. Event features a General Admission Dance Pit in front of the stage! All sales are final, no refunds/exchanges permitted, but tickets may be transferred through your TM Account. Garcia's is fully ADA compliant featuring wheelchair lifts and ramps between the various levels of the venue, assisted listening devices upon request, and allows official service animals.

Doors: 8PM / Show: 9PM / 21+ The Lemonheads returned in 2025 with Love Chant (out via Fire Records, October 24th), their first studio album in nearly two decades - a bold, melodic reaffirmation of Evan Dando's singular songwriting voice. Written across continents and recorded primarily in São Paulo, Brazil, where Dando now resides, Love Chant finds the frontman reconnecting with longtime collaborators while introducing new creative voices. It's a record of fresh starts and familiar sounds - emotionally raw, melodically rich, and unmistakably Lemonheads. The new album features contributions from J Mascis (Dinosaur Jr), Juliana Hatfield, Tom Morgan, Bryce Goggin, Erin Rae, and Nick Saloman of The Bevis Frond. It's a diverse but coherent work - from the full-throttle hooks of , "rdquo" -> Deep End" to the spectral softness of , "rdquo" -> The Key Of Victory," and the Modern Lovers-like drive of the title track. Co-released alongside Dando's forthcoming memoir Rumours Of My Demise (via Faber, November 6th), Love Chant marks both a return and a reckoning - the sound of an artist who's lived, lost, and located the thread once again. Formed in Boston in 1986, The Lemonheads have long thrived on that intersection between chaos and charm. With a revolving cast built around Dando's melodic instincts and ragged charisma, their early punk roots were forged across three scrappy albums on local label Taang! before signing to Atlantic Records and releasing 1990's Lovey. It was on tour for that record in Australia where Dando connected with Tom Morgan and future bandmate Nic Dalton - a meeting that reshaped the band's songwriting and sound.

For Love of Grace s tightest album to date, even glossy at times, but not tight enough to dull its pulse. With wordless howls, nastily detuned riffs that bend into harmony, breakdowns, handclaps, and a chaotic choral break seemingly played on pennywhistles, For Love of Grace s fundamental curiosity and trust in their instincts.Produced and mixed by the band (Rnnenfelt, Dan Kjr Nielsen, Jakob Tvilling Pless, Johan S. Weith, and Casper Morilla Fernandez) and Nis Bysted, For Love of Grace s Plowing Into the Field of Love at the same studio; its no coincidence its the only time they have returned to a studio to cut a record. The band wanted to capture the same intense energy.The band leaned on their experiences and the thousands of hours on stages theyve shared since they were teenagers. The setup was as minimal as possible: making decisions live and not overthinking, patient full takes with minimal overdubs. The lyrics were written only a few weeks before entering the studio to prevent the overall picture from being too fragmented and to increase the sense of risk and urgency.For Love of Grace s both fun and as serious as ever, growing and glowing through love. There is no affectation or prescription to this recordno palette of curated influence or sought sound. It is the sum total of inspirations, shared openly in the name of playing and playings pleasures.

Since his acclaimed 2006 debut Gulag Orkestar, Condon has continually woven indie-folk, orchestral pop, and global influences into music shaped by wanderlust and introspection. Following the atmospheric Hadsel (2023), recorded on a remote Norwegian island, A Study of Losses continues Beirut?s evolution through an exploration of places and histories that have vanished, and what remains after they are gone. Across nearly two decades, Beirut has maintained a distinctive balance between nostalgia and reinvention?an ever-shifting reflection of places, people, and the passage of time. The 2027 North American tour marks a long-awaited return to the region and a new chapter for one of indie music?s most singular voices.

Marking a decade of Nothing But Thieves last year, with four albums, billions of streams, thousands of worldwide live shows and a global dedicated fanbase, the Southend five-piece make their musical return launching their next chapter with euphoric new single ?Evolution? With an ever-evolving world-building approach both musically and visually, Nothing But Thieves returned to their roots ? literally and thematically - during their recent time in the studio, recording at Angelic Studios where they made their debut record, looking back to how they began with a DIY spirit rooted in authenticity. With an adept ability to experiment between the genres that influence them as a band, the elated and fast-paced track combines soaring vocals and energetic guitars into a communal anthem that is uniquely and brilliantly Nothing But Thieves.

Doors open at 6PM. Performance begins at 7PM. This show is for ALL AGES. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

$1 per ticket goes to HER Campaign: https://hercampaign.org/about/The seventh album from Foy Vance, The Wake marks the completion of a decades-long journey defined by tireless soul-searching and life-altering revelation. While playing a gig on the Spanish island of Lanzarote in January 1999, the Northern Ireland-born singer/songwriter experienced a moment of unprecedented transcendence onstage, then learned the next morning that his father had suffered a fatal heart attack that very night. Overcome by grief and a galvanizing clarity, Vance immediately resolved to create seven albums informed by the loss of his fathera traveling preacher who moved their family to the American South when Vance was a baby, and set him on his lifes path by teaching him to play guitar early in his childhood. At turns devastating and ecstatic and wildly illuminating, The Wake reveals an artist highly attuned to the task of preserving the human spirit in an often-unforgiving world.Produced by Ethan Johns (the Brit Award-winning producer known for his work with Paul McCartney, Ray LaMontagne, and more), The Wake brings Vances gritty vocal work to a potent convergence of folk and soul and Southern blues, instilling every moment with an unbridled vitality. In his intimate exploration of the human condition, the Scotland-based artist muses on matters both intensely personal (e.g., fatherhood, heartbreak) and wholly existential (the slippery essence of time, the looming crisis of AIs unchecked ascent). The final volume in a run of albums that began with his 2007 debut Hopeand also includes standouts like 2016s The Wild Swan (executive-produced by Elton John), 2019s From Muscle Shoals and To Memphis (recorded at the historic FAME Studios and Sam Phillips Recordings Studios, respectively), and 2021s Signs of Life (partly made at Vances home in the Scottish Highlands)the result is the purest distillation yet of his truly singular artistry, imparting a defiant joy into songs of longing and loss and hard-won acceptance.

Crowned the heir to the French Touch and dubbed by Jean-Michel Jarre himself, Simon Henner (French 79), has established himself as an essential pillar of the global electronic music scene. In the space of three foundational albums (Olympic, Joshua, and TEENAGERS), the Marseille-based producer has shaped a singular, immersive, and viscerally unifying musical universe. If his music reaches far beyond the boundaries of the techno sphere, it is thanks to its synesthetic power: his harmonic sequences and arpeggios transform sounds into emotional landscapes, creating a universal connection with his audience.Today, the impact of French 79 is reflected in staggering numbers. He gathers a community of 770,000 fans and accumulates over 1.7 million monthly listeners on Spotify. His first three albums have generated more than 150 million streams, driven by music videos that exceed 50 million views. He continues to rack up prestigious certifications, with two export platinum singles (Diamond Veins and Lovin Feeling), not to mention the resounding diamond single Moon, produced and co-composed for Kid Francescoli.On stage, the triumph is absolute: his last tour thrilled 180,000 spectators across 106 dates in 23 countries, with a string of sold-out shows from Paris to Los Angeles. His creative influence has also conquered new spaces: he composed the original soundtrack for Reda Katebs film Sur un fil, scores campaigns for prestigious brands (Apple, Dior, LOral, Emily in Paris), and creates monumental events, whether its the video mapping of Place Stanislas in Nancy or performing alongside Cerrone for New Years Eve on the Champs-lyses.Yet, at the peak of this effervescence, a vital need for a break emerged. Far from the protective bubble of tour life (sound engineers, managers, crowds), Simon Henner felt the urgent need to return to calm, to lose himself in order to find himself, and to listen to the silence. A huge enthusiast of extreme and outdoor sports (paragliding, kite surfing, ski touring, sailing, etc.), the artist has made radical adventure his new creative laboratory.To design his fourth album, expected by the end of 2026, French 79 relocated his studio. Fleeing software and sedentary comfort, he built his own modular synthesizer housed in a suitcase. This nomadic studio followed him into extreme environments: from his sailboat in the middle of the Mediterranean Sea in the dead of night, to isolated mountain huts surrounding the 4,000-meter peaks of Chamonix.By reconnecting with a primitive and carnal relationship with electronics (plugging in cables in the freezing cold, recording sound directly to tape), he has transformed adrenaline and physical fear into musical matter. This new opus will be a philosophical quest, resonating as a double homage to the pioneers of extreme exploration and to the overwhelming immensity of nature.

Event features a General Admission Dance Pit in front of the stage! All sales are final, no refunds/exchanges permitted, but tickets may be transferred through your TM Account. Garcia's is fully ADA compliant featuring wheelchair lifts and ramps between the various levels of the venue, assisted listening devices upon request, and allows official service animals. Premium Table seating is located closest to the stage offering the most intimate music experience for guests and includes table service. Reserved Table seating is located on our main floor, behind the Premium section, and also includes table service. Both Premium and Reserved table seating is cabaret style which means you may be sitting with other fans. Private Booths are available and depending on the booth seats 1 to 4, 5, or 6 guests. General Admission/Standing Room is located around the sides of the room on an elevated level for quality viewing and easy bar access.

Event features a General Admission Dance Pit in front of the stage! All sales are final, no refunds/exchanges permitted, but tickets may be transferred through your TM Account. Garcia's is fully ADA compliant featuring wheelchair lifts and ramps between the various levels of the venue, assisted listening devices upon request, and allows official service animals. Premium Table seating is located closest to the stage offering the most intimate music experience for guests and includes table service. Reserved Table seating is located on our main floor, behind the Premium section, and also includes table service. Both Premium and Reserved table seating is cabaret style which means you may be sitting with other fans. Private Booths are available and depending on the booth seats 1 to 4, 5, or 6 guests. General Admission/Standing Room is located around the sides of the room on an elevated level for quality viewing and easy bar access.

Independent local night out.