Reggae Shows in Chicago

Ripping up the expected blueprint Geese set with their 2021 debut Projector and the cowboy rock follow-up of 2023?s 3D Country, Getting Killed puts the very idea of conventional rock structures in the band?s crosshairs. Working at a feverish clip with renowned producer Kenneth Blume over a month-long stretch, Geese emerged wielding a sharp, novel new vision for the genre, sporting wry smiles and a resolute confidence. The album was crowned the number one album of the year on numerous Best of 2025 lists including TIME, The New Yorker, The New York Times and more. The band began 2026 right where they left off, with an unwieldy, vexing SNL debut, a surprisingly intimate Tiny Desk concert and winning a BRIT Award for International Group of the Year. Geese have partnered with PLUS1 so that $1 per ticket goes to supporting organizations driving positive change in their communities. www.plus1.org

The Elohim Tour 2026. Event features a General Admission Dance Pit in front of the stage! The Satsang Pre-Show VIP Experience may be selected with the General Admission tickets, however there is a limited number of spots. VIP includes early entry to the venue at 6pm, an intimate soundcheck performance by Satsang (solo), a Q&A session with Satsang, a collectable tour poster signed by Satsang, and a commemorative pre-show tour laminate. All sales are final, no refunds/exchanges permitted, but tickets may be transferred through your TM Account. Garcia's is fully ADA compliant featuring wheelchair lifts and ramps between the various levels of the venue, assisted listening devices upon request, and allows official service animals.

Doors @ 7PM, Performance @ 8PM This is an ALL AGES event. Aragon Ballroom is a standing room only venue, all tickets are General Admission unless otherwise stated. There is NO re-entry. https://www.aragonballroomchicago.com/

Jalen Ngonda honours soul musics rich history while pushing it forward into new territory, an artist whos both archivist and explorer, a disciple of the greats actively shaping the future of music. Having spent the last three years growing this new soul vision from small clubs to arenas and festivals across the world Ngonda stands poised to become the new spokesman of authentic soul with the release of his second album Doctrine Of Love.Doctrine Of Love is an instant classic of an album, a long player alive with a confidence and swagger that seals the young singers reputation as not only the spiritual heir of souls great leading men but a one-off songwriting talent stepping far out from the shadows of his artistic ancestors. The title track Doctrine Of Love sets both the emotional tone and musical template for the rest of the album, I wrote that track when I was trying to do anything to get out of the studio remembers Ngonda. I was listening to a lot of James Brown at the time and that was an inspiration - Doctrine to me was a word no-one ever uses, I took it to be like a certificate, the Certificate of Love - look, I think maybe I meant doctorate, but we wrote it and recorded it and now its a whole thing. The Doctrine of Love is multi-faceted of course - yes, it can be a cool word that fits the song, it can be a code, a philosophy, words to live by, words to love by, words to write some classic music by. I just write the song, Ngonda enthuses, the listener can interpret it however they want.The difference that makes Jalen Ngonda a pioneer rather than a disciple of this soul doctrine is he lives it 100%. He has an insatiable vinyl digging habit, searching for records wherever he goes in the world. His grandmother gave him a shitload of Stax and Motown 45s as a teenager and that gave him the bug. I listen almost exclusively to music from the 60s, he enthuses. The 50s, the 40s. Pretty much nothing past about 1972. Records do sound slightly better on an analogue system, but its more of a behavioural thing with me. This extends to his effortlessly classic style, most of it is quite retro at the moment, he admits, that old skool thing. Who knows, soon I might be dressing in baggy jeans and sneakers, Ive kind of been feeling that, then the month after I might be dressing from the 1940s. On stage I dress in 1950s clothing because I want to wear something slick when Im singing a slick song. The way he conducts himself on stage is an extension of this, the model of gentlemanly charm and grace, as if hed had a crash course from the legendarily rigorous Motown charm school. Hes a 21st century modern spirit questing for vintage authenticity and the walking embodiment of a classic soul gentleman, a Marvin Gaye for the Discogs era.

Doors open at 5PM. Performance begins at 630PM. This show is for ALL AGES. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

Doors @ 7PM, Performance @ 8PM This is an AGES 17 AND OVER event. Valid Photo ID is required for age restricted shows. Forms of valid ID are current and non-expired Driver's License, State ID or Passport. Aragon Ballroom is a standing room only venue, all tickets are General Admission unless otherwise stated. There is NO re-entry. Individuals under 17 are allowed to attend if accompanied by their parent or legal guardian https://www.aragonballroomchicago.com/

Independent local night out.

The Uptones are one of the most venerable post-collegiate/adult a cappella groups in Chicago; we were founded as Uptown Sound in 2009 — before The Sing-Off, before Pitch Perfect, just as a cappella was exploding off of college campuses nationwide. A group of young professionals, with a mixture of singing experience (from college a cappella groups, to musical theatre, to choirs, to nothing at all), came together and decided to set out on an adventure in the world of contemporary pop a cappella. We've gone from performing for 20-odd family and friends in a hole-in-the-wall coffee shop to regular audiences of over 120 at our biannual concerts, and from a repertoire of self-arranged music by none other than our talented members. In our more than a decade of singing together, over 70 people have joined us for at least a little while (anywhere from 12–16 at any one time). We sing because we enjoy performing, because we need a creative outlet… and we stay, because it's fun. The makeup of the group continues to change, but the personality remains the same: music, friendship, and a little bit of humor. We hope you'll love listening to us as much as we love performing for you.

Bay Area native Daniel Howland, better known as SVDDEN DEATH, is an electronicmusic producer and DJ renowned for his heavy, unnerving, experimental dubstepanthems, and shocking on-stage antics. Well known for fabled projects such as VOYD,Summoning of the Eclipse, MELLODEATH, Masterhand, and Deadroom, to name a few,SVDDEN DEATH has proven to be one of the preeminent musicians standing out in a scene notorious for its noise, smoke, and mirrors.