Pop Shows in Chicago

There is a delivery delay on all orders until approximately one week prior to the show. This show will be taking place inside the Shed.

There is a delivery delay on all orders until approximately one week prior to the show. This show will be taking place inside the Shed.

Independent local night out.

This is an outside promoter show, for any questions or to book a table or suite, please reach out to 347-403-4985. Misha Miller on her first-ever USA tour 13:13 The viral sensation behind the global smash hit "Bam Bam" is coming to the United States for the very first time. One of Eastern Europe's fastest-rising pop stars, Misha Miller will bring her electrifying live show across six major cities in March 2027, giving fans the chance to experience the artist whose music has captivated millions worldwide. Blending the irresistible nostalgia of the early 2000s with modern pop, dance, and R&B influences, Misha Miller has become one of the most streamed and talked-about artists of her generation. Her breakthrough hit "Bam Bam" exploded across TikTok, reached the Global Top 10 Viral Sounds, entered YouTube Trending charts in more than 20 countries, and climbed to the Top 10 of the Shazam Global Chart. You can expect an unforgettable night featuring "Bam Bam," "Un Minut," "Don't Leave (Kylie)," and other fan favorites, delivered with the energy, charisma, and powerful vocals that have made Misha Miller one of the most influential new voices in European pop music. Don't miss the chance to witness one of Europe's most exciting artists live on her debut North American tour.

Fishtailing across a trimmed sod lawn, the parking lot of a box-store strip mall, a fast food drive-thru----it's a hyperreal Americana fantasy that calls Caroline Rose (she/they) home on Gentling the Horse at the Walt Whitman Mall. The release doubles as the debut of SUCK records, the LA based artist's own imprint---a fitting next form for an enigmatic musician whose work resists settling into one shape. Gentling the Horse at the Walt Whitman Mall stretches the ordinary into the uncanny. The record pairs sharply observed, memoiristic songwriting with expansive guitar textures that render the everyday with violent clarity and mythic scale. Beneath its melodic sweep and signature hooks runs a current of violence and American dream leakage. It's Ennio Morricone with an AR15: surf guitars, spaghetti westerns, and suburban dread colliding until they become their own sharp vernacular. Reality is unstable, so we'll keep telling stories---and for Rose, the sinister slickness of the everyday grows a new head. Working with producer John Congleton, Rose built the record through humor, layering, and instinct rather than polish. Songs like , "rdquo" -> Conversations with Shiv," , "rdquo" -> Goddamn Train," and , "rdquo" -> Everything in its Right Place" were recorded in studio for the first time, with sessions that prized first impulses over perfection. The result is panoramic but never precious---songs that feel meticulously constructed while always threatening to mutate. Over the last six years, Rose's music has evolved alongside their work organizing around stronger labor protections and collective bargaining rights for musicians and crews. Creative and political practice have increasingly become the same project as Rose's career has taken on its hyper-independent form. Those concerns echo throughout Gentling the Horse. Its landscapes are populated by inherited systems that feel absurd yet inescapable, where humor becomes a survival tactic and satire reveals the quiet violence embedded in everyday American life.

Doors open at 630PM. Performance begins at 730PM. This show is for AGES 17 AND OLDER. Valid Photo ID is required for age restricted shows. Forms of valid ID are current and non-expired Driver's License, State ID, or Passport. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Individuals under 17 are allowed to attend if accompanied by their parent or legal guardian Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

Doors: 8PM / Show: 9PM / 21+ The Lemonheads returned in 2025 with Love Chant (out via Fire Records, October 24th), their first studio album in nearly two decades - a bold, melodic reaffirmation of Evan Dando's singular songwriting voice. Written across continents and recorded primarily in São Paulo, Brazil, where Dando now resides, Love Chant finds the frontman reconnecting with longtime collaborators while introducing new creative voices. It's a record of fresh starts and familiar sounds - emotionally raw, melodically rich, and unmistakably Lemonheads. The new album features contributions from J Mascis (Dinosaur Jr), Juliana Hatfield, Tom Morgan, Bryce Goggin, Erin Rae, and Nick Saloman of The Bevis Frond. It's a diverse but coherent work - from the full-throttle hooks of , "rdquo" -> Deep End" to the spectral softness of , "rdquo" -> The Key Of Victory," and the Modern Lovers-like drive of the title track. Co-released alongside Dando's forthcoming memoir Rumours Of My Demise (via Faber, November 6th), Love Chant marks both a return and a reckoning - the sound of an artist who's lived, lost, and located the thread once again. Formed in Boston in 1986, The Lemonheads have long thrived on that intersection between chaos and charm. With a revolving cast built around Dando's melodic instincts and ragged charisma, their early punk roots were forged across three scrappy albums on local label Taang! before signing to Atlantic Records and releasing 1990's Lovey. It was on tour for that record in Australia where Dando connected with Tom Morgan and future bandmate Nic Dalton - a meeting that reshaped the band's songwriting and sound.

Doors open at 530PM. Performance begins at 630PM. This show is for ALL AGES House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

Ruby Waters has partnered with PLUS1 so that $1 per ticket goes to supporting communities in need with access to essential, life-saving resources, including clean water and other basic needs. From her home in the BC mountains, Canadian singer-songwriter Ruby Waters rattles off the definition of the phrase , "rdquo" -> to suppress." , "rdquo" -> It's the act of holding back or preventing something from developing, functioning, being seen or being expressed," she reads. It's a definition she's found deeply relatable over the last couple years. , "rdquo" -> A lot of that is what the album is about: hanging on to old habits and stopping myself from becoming the best version of myself," Waters explains. , "rdquo" -> It's also about the pressures of being seen by the world and wanting to hide like a little crab underwater in a safe little shell. Or the opposite, being weighed down almost underwater by suppressed emotions." Waters poured those feelings into her sophomore album SUPPRE$$IONS (out via Wet Records). Written mostly from this same house in the mountains, the smokey voiced singer dives into the dark waters of how her vices and the pressures of the world began to overwhelm her. She takes it literally on the album cover, wearing a collection of fishing lures as earrings and nose rings, and being lifted by a hook out of the water on the back cover. , "rdquo" -> I've been dealing with addiction and mental health issues for a very long time," she admits. , "rdquo" -> This album stems from wanting to change or being in limbo between wanting to change and building up the courage to do so." She states, , "rdquo" -> It's an acceptance album. Accepting all of these feelings, wants, and needs instead of suppressing them." Written and recorded with her longtime collaborators Sam Jackson Willows (The Beaches, A Boogie Wit Da Hoodie), Harper (Burna Boy, Russ), TJ Whitelaw (John Legend, Syd) and mastering engineer Alec Ness (Alabama Shakes, Sam Smith) over the last two years, her 20-song opus honestly admits to many of the distractions and habits that she's used to escape her real life: sex, drugs, nature, and rock'n'roll. The candor comes with maturity as the artist details these crutches alongside her path away from some of them. , "rdquo" -> There are some deeper songs and some more fun ones, all mostly fueled with vices," she explains. Caught in the middle is album opener , "rdquo" -> SAME MISTAKES," a vulnerable, dreamy prologue that sets the tone for Waters' story. , "rdquo" -> I'm talking about being a piece of shit and not trying hard enough," she details. The hypnotic, soulful track recounts the loop she's been in: half-hearted attempts at changing her life that lead her right back to where she started. On a song like , "rdquo" -> OFTEN," she takes the cyclical nature of these experiences literally in the music, using sonics to replicate the experience of waking up from a bender and feeling your brain loop with regrets.

Tickets starting at $30 & fees. Paco Versailles is a collaboration between guitarist/composer/producer Vahagni and songwriter/producer Ryan Merchant. Their sound is a mix of flamenco guitar rhythms with disco leaning electronic production and captivating vocals, a new genre they call “Dancemenco”. The name Paco Versailles was conceived while imagining a collaboration between their biggestinfluences, the legendary Spanish guitarist Paco De Lucia and French electronic artists Daft Punkand Air, both products of the Parisian suburb of Versailles. Paco Versailles is currently rolling out their new album Azucar. The release will be followed by a North American and European tour in 2027.

Destroy Boys have partnered with PLUS1 to direct $1 from every ticket to local organizations expanding food access, supporting mutual aid, and protecting Indigenous lands. They've also teamed up with Concerted so fans can trade local volunteer hours in these cause areas for a limited number of tickets at each tour stop. FOIE GRAS, Destroy Boys' fifth album, feels like the record the band has been working toward all along. It's bigger, stranger, and more confident than what came before, without losing the immediacy that got them started. Roditis and Mayugba formed the band when they were 15, playing DIY shows around Sacramento while still in high school. Over the past decade, Destroy Boys have grown from those house shows into an international touring band, opening for Blink-182, Pierce the Veil, and Rise Against. Their songs have gotten harder to pin down, too: punk remains the foundation, but grunge, pop, post-punk, Britpop, bossa nova, and jazz all find their way in. Produced by Zach Tuch, with additional contributions from Frank Iero, FOIE GRAS pushes that restlessness further. It's the sound of a band finally giving itself permission to follow its instincts, no matter the risk---and, in the process, making its best record yet.

For more than three decades, Cornelius has occupied a singular space in contemporary music. The long-running project of Japanese musician, producer and composer Keigo Oyamada, Cornelius emerged in the early 1990s following the dissolution of Tokyo pop group Flipper's Guitar, before becoming one of the most distinctive and forward-thinking names in modern experimental pop. International breakthrough Fantasma (1997) established Oyamada as a restless sonic architect, stitching together psychedelic pop, electronic music, musique concrète, hip hop and avant-garde composition into something playful, hyper-detailed and impossible to pin down. The album became a cult touchstone, while subsequent releases including Point and Sensuous further expanded his intricate, cinematic sound. Alongside his own records, Oyamada has collaborated with artists including Blur, Beck, MGMT, James Brown and Yoko Ono, while his precision-synchronised live shows have long blurred the line between concert and audiovisual installation. Nearly three decades later, Fantasma B-side , "rdquo" -> Typewrite Lesson" has also found a new generation of listeners, recently going viral on TikTok and receiving support from artists including Rosalía. Yet 'REFRACTIONS' feels less like a continuation than the beginning of another transformation. Written between 2024 and the end of 2025, the album explores ideas of perception, shifting realities, memory and interconnected consciousness, not through overt narrative but through structure, texture and movement itself. , "rdquo" -> As the world and my surroundings changed at an intense speed, I think all of that inevitably shaped this work,"Oyamada explains. , "rdquo" -> Rather than expressing these ideas directly, I approached them structurally --- exploring continuity, transformation, and multiple coexisting states within a single, uninterrupted flow of time." That sense of fluidity runs throughout 'REFRACTIONS'. Songs dissolve and reform, melodies appear like half-remembered signals before refracting into new shapes, while acoustic instrumentation, digital manipulation and spectral electronics coexist in constantly shifting balance. At times intimate and weightless; elsewhere disorienting and densely layered, the album feels like fragments of parallel realities briefly overlapping. The album also marks a move outward. Where previous records such as Mellow Waves and Dream In Dream often carried a solitary, inward-facing quality, Refractions was consciously shaped through collaboration and exchange. , "rdquo" -> This time, instead of turning inward, I wanted to open the work through interaction with others," says Oyamada. , "rdquo" -> I've come to feel more strongly that reality is not something completed within oneself, but something shaped through relationships and exchanges." 'REFRACTIONS' is available online now, with physical copies available to pre-order through all good record stores. ''Refractions'' album links: https://linktr.ee/Cornelius_Japan

This is The New Alternative: a new genre for the 21st century. More specifically: a new genre for music's optimized VC-funded super deluxe remixed AI-enhanced algorithmically perfected wild west 2020s, where a million streams is great, a billion even better, and a trillion well within reach. On their fifth album ZIRP!, DIIV emphatically and ecstatically embrace the underground pedigree and the pop instinct that have anchored the band like magnetic poles for the better part of their career---smashing them together in pursuit of a sound that pre-empts any notion that Zachary Cole Smith, Andrew Bailey, Colin Caulfield and Ben Newman have ever been playing between worlds. Put more simply, on ZIRP! DIIV answer the simple questions that so many bands can't: What would it mean to grow up? And glow up, too? For as long as they've been making music, DIIV have been victims of a world without the vocabulary to describe their willingness to braid the harshness of genres like shoegaze (on 2024's Frog In Boiling Water) and grunge (2019's Deceiver) with mellifluous and memorable pop melody. Over the years, the world has caught up with them, with artists like Slayyyter, Eartheater and Turnstile forcing old-guard gatekeepers to find new ways to describe this gleeful disregard for old-fashioned scene designations and genre tags. With ZIRP!---and their embrace of The New Alternative---DIIV lock in on a name for the universe they've been chasing for all these years, and a sound that represents the apotheosis of that universe. Produced by British pop wizard A. G. Cook (Caroline Polachek, Charli XCX)---a chief architect of our current post-category future---ZIRP!, named for the zero interest rate policies that drew us into a world of failed startups and turned us all into atomised , "rdquo" -> users," expands on the themes of Frog In Boiling Water with a newfound lightness. Here, Palantir, societal breakdown and streaming's endless hamster wheel are all fodder for rich, sparkling pop songs: Album opener and lead single , "rdquo" -> The Fountain" pairs the sprawl and squall of DIIV records past with a jolting rhythmic guitar section that has arena-filling potential, while , "rdquo" -> Evangelizer" taps into the sweet-and-sour mainstream appeal of bands like Linkin Park and System Of A Down. Throughout, the band is zeroing in on its punchiest, most memorable melodies to date, each new internal hook and tossed-off earworm indicative of a band more than ready to make good on its ability to play in the mainstream.

Since his acclaimed 2006 debut Gulag Orkestar, Condon has continually woven indie-folk, orchestral pop, and global influences into music shaped by wanderlust and introspection. Following the atmospheric Hadsel (2023), recorded on a remote Norwegian island, A Study of Losses continues Beirut?s evolution through an exploration of places and histories that have vanished, and what remains after they are gone. Across nearly two decades, Beirut has maintained a distinctive balance between nostalgia and reinvention?an ever-shifting reflection of places, people, and the passage of time. The 2027 North American tour marks a long-awaited return to the region and a new chapter for one of indie music?s most singular voices.

Doors open at 6PM. Performance begins at 7PM. This show is for ALL AGES. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

Marking a decade of Nothing But Thieves last year, with four albums, billions of streams, thousands of worldwide live shows and a global dedicated fanbase, the Southend five-piece make their musical return launching their next chapter with euphoric new single ?Evolution? With an ever-evolving world-building approach both musically and visually, Nothing But Thieves returned to their roots ? literally and thematically - during their recent time in the studio, recording at Angelic Studios where they made their debut record, looking back to how they began with a DIY spirit rooted in authenticity. With an adept ability to experiment between the genres that influence them as a band, the elated and fast-paced track combines soaring vocals and energetic guitars into a communal anthem that is uniquely and brilliantly Nothing But Thieves.

Doors open at 6PM. Performance begins at 7PM. This show is for ALL AGES. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. *All support acts are subject to change without notice.* Upgrade Your Experience: https://www.sevenrooms.com/events/hobchicago/hobwebsite

Artist Pre-Sale: Thursday, October 29 at 10am CST Temper City, the group behind one of the year’s most irresistible hits, is an alt-rock trio formed by singer-songwriter Eytan Peled and global production duo Sync (Aviv Barenholtz and Chen Kordova). “Self Aware,” their global chart-topping debut single, has made the leap from TikTok to the Hot 100. The three Los Angeles-based session vets got their start behind the scenes after meeting at a chance open-mic night in Israel. They spent five years traveling the world and crafting songs that generated hundreds of millions of streams for acts making waves in electronic, blues, and rock music. But they noticed their strongest work always emerged when they were simply in a room together, writing without expectations. When an artist canceled a session at the last minute, they seized the moment. It was a decision thatchanged their lives. They finally had a moment to put their own spin on “the indie-rock, nostalgic sound we’ve always been obsessed with and grew up on,” the group said of the day that sparked “Self Aware.” “We wanted to make something that sounded timeless and had a massive live energy.”

21+ / www.carolspub.comFlorida-born country singer-songwriter Kaylee Rose pairs infectious melodies and a magnetic personality with sharp wit and honest, relatable storytelling. A songwriter at heart, she has built her career as a fully independent artist, earning a global following of more than 4 million highly engaged fans on social media and over 150 million global streams. That momentum carries onto the stage. From her early days performing on Nashville's Broadway strip to sold-out headline shows across the U.S., U.K., and Europe, Kaylee has earned a reputation as a must-see live performer with international appeal. Her high-energy sets blend hilarious crowd banter with heartfelt moments, forging connections that keep fans coming back and often traveling hours to see her. With her newly released EP, , "rdquo" -> Nebraska," Kaylee continues to share new music and connect with audiences around the world. This event is 21 and over. Any ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund. GA Tickets do not include seating. Reserved Table purchase includes entrance to the show and a reserved table for the designated number of people. Please arrive 30 minutes prior to showtime to claim your table. If your party has not arrived by that time, your table may be subject to be given away to another group and we will do our best to facilitate your group upon your arrival, however a table is no longer guaranteed.

$1 per ticket goes to HER Campaign: https://hercampaign.org/about/The seventh album from Foy Vance, The Wake marks the completion of a decades-long journey defined by tireless soul-searching and life-altering revelation. While playing a gig on the Spanish island of Lanzarote in January 1999, the Northern Ireland-born singer/songwriter experienced a moment of unprecedented transcendence onstage, then learned the next morning that his father had suffered a fatal heart attack that very night. Overcome by grief and a galvanizing clarity, Vance immediately resolved to create seven albums informed by the loss of his fathera traveling preacher who moved their family to the American South when Vance was a baby, and set him on his lifes path by teaching him to play guitar early in his childhood. At turns devastating and ecstatic and wildly illuminating, The Wake reveals an artist highly attuned to the task of preserving the human spirit in an often-unforgiving world.Produced by Ethan Johns (the Brit Award-winning producer known for his work with Paul McCartney, Ray LaMontagne, and more), The Wake brings Vances gritty vocal work to a potent convergence of folk and soul and Southern blues, instilling every moment with an unbridled vitality. In his intimate exploration of the human condition, the Scotland-based artist muses on matters both intensely personal (e.g., fatherhood, heartbreak) and wholly existential (the slippery essence of time, the looming crisis of AIs unchecked ascent). The final volume in a run of albums that began with his 2007 debut Hopeand also includes standouts like 2016s The Wild Swan (executive-produced by Elton John), 2019s From Muscle Shoals and To Memphis (recorded at the historic FAME Studios and Sam Phillips Recordings Studios, respectively), and 2021s Signs of Life (partly made at Vances home in the Scottish Highlands)the result is the purest distillation yet of his truly singular artistry, imparting a defiant joy into songs of longing and loss and hard-won acceptance.

For current health & safety information, please visit www.auditoriumtheatre.org

Due to overwhelming demand, the Tally Hall show on April 18, 2027 has been moved from Metro to The Salt Shed. Previously purchased tickets will be valid at the new venue. Additional tickets are on sale Friday at 10am local. There is a delivery delay on all orders until approximately one week prior to the show. This show will be taking place inside the Shed.

There is a delivery delay on all orders until approximately one week prior to the show. This show will be taking place inside the Shed.

There is a delivery delay on all orders until approximately one week prior to the show. This show will be taking place inside the Shed.